LOUISE BOSCACCI …roll call↩︎ postings: blog stream

  • About What is Given
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    • In the Riverbowl, 2013
    • Shaw Street Seven, 2012
    • Spinoza was a lens maker (2015)
    • ‘Cicada Waterfall’ 2012- 2014 – Cummings & Boscacci
    • Lacrimae five
    • Three Hemispheres
    • Cumulus 2009
    • Beaker Culture 2009
    • Eleven fingers 2009
    • Solace Works 2008 – ‘solastalgia is a new word, I hear’
    • Chemistry Set 2003
    • Paper clay experimanifest 1995–6
  • Selected Words
    • After-Affect Skin Songs 2014
    • Pulse_Pause: : Exploring Eco-ethical Aesthetics in the Shadow Places (2013)
    • Beaker
    • Hold, Trace, Listen (2008)
    • It’s not on any map; true places never are (1999)
    • New Empiricists 2010
    • The Other Side of The Line (2001)
    • Groundtruthing Project (2003)
    • The Art of Bell Ringing (2007)
    • Cicada Waterfall: a still moving collaboration … (2014)
    • Porcelain for the fleeting moment 2006
    • Ecological Research (Selected)
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    • People, people: wondrous workings
Shadow Places in concept and an ecology of practice

Tree drone and friends

Posted on September 28, 2020 by Louise Boscacci: The Blue Chamber
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THINGS THAT SHATTER -Affective Encounters, Shadow Traces, and Resonant Naturecultures in the Anthropocene – Part 2 2020
2020 IRL there the whisper
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