All time is now-time
2016 PhD, University of Wollongong, Australia
The Trace of An Affective Object Encounter: a picture postcard, its provocations, and processual becomings — http://ro.uow.edu.au/theses/4725/
Bachelor of Fine Art (BFA), National Art School, Sydney
Bachelor of Science (Hons. 1; Terrestrial and Freshwater Ecology), James Cook University, Australia. University Medal, Biological Sciences. BSc: Marine Biology major.
A SHELF FROM THE LIBRARY:
Boscacci, L 2019 [in press], ‘Hard Data, Soft Data,’ Landscapes: the Journal of the International Centre for Landscape and Language, vol.9, no.1.
Louise Boscacci with Susan Ballard, David Carlin, Anne Collett, Eva Hampel, Lucas Ihlein, Jo Law, Joshua Lobb, Jade Kennedy, Teodor Mitew, Catherine McKinnon, Jo Stirling, Kim Williams, [The MECO Network], 100 Atmospheres: Studies in Scale and Wonder, London: Open Humanities Press, 2018.
Boscacci, L 2018, ‘Wit(h)nessing’, Environmental Humanities, vol.10, no.1, pp343–347. DOI: 10.1215/22011919-4385617.
Boscacci, L 2018 ‘After the Cyclone,’ Ecozon@: European Journal of Literature, Culture and Environment, vol.9, no.1 (Spring), pp144–145.
Boscacci, L & Newling, P 2017, ‘Call and Response Writing on Water’, in C Rouliere (ed.), Proceedings of the Conference – H2O: Life and Death, (in prep 2018), J. M. Coetzee Centre for Creative Practice, University of Adelaide, Adelaide, Australia, 5–7 September 2017.
Boscacci, L 2016, ‘Ways to Cross Country: On “Thinking Landscape”’, Material Ecologies Research Network/ MECO blog, 30 October 2016, http://www.uowblogs.com/meco/2016/10/30/ways-to-cross-country-a-response-to-thinking-landscape/
Boscacci, L 2016, ‘A-bodied: How to Make a River Bowl’, Yarrobil, issue 3, pp. 15–22.
Boscacci, L 2015, ‘The Archive in Contemporary Art: a literature review’, International Journal of Liberal Arts and Social Sciences, vol. 3, no. 8, pp. 1–8.
Boscacci, L 2014, ‘Cicada Waterfall: A Still-moving Collaboration between Louise Boscacci and Elisabeth Cummings, The Journal of Australian Ceramics, vol. 53, no.3, pp. 23–25. [See also: http://issuu.com/kingstreetgallery/docs/cummings-low_res_version/3?e=5022990/8508743].
Boscacci, L 2013, ‘Pulse-Pause: Exploring Eco-ethical Aesthetics in the Shadow Places’, in Curtis, D & Aguilar, L (eds), Linking Art and the Environment: Proceedings of the First EcoArts Australis Conference, 12-13 May 2013, Wollongong, NSW, EcoArts Australis Inc, Wollongong AU.
Acme Studios (ed.), 2012. Time and Vision: Twenty Years of Artist Residencies in London. Acme Studios International Residencies Programme and Australia Council for the Arts, London.
Ballard, Brett 2009, ‘Louise Boscacci: Form and Idea.’ Ceramics: Art and Perception, vol. 74 (Feb, pp. 41–45 ☛
EXHIBITIONS: 13 solo, 51 group exhibitions—material, visual, sonic
2017 Tell me about the wind, King Street Gallery on William, Sydney, 26 April – 20 May.
2017 Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. University of Edinburgh, Edinburgh Scotland (June).
2017 water objects – echoes: Louise Boscacci and Toni Warburton, The Cross Art Projects Sydney, March 11 – April 8.
2016 Dark Forms, National Gallery of Australia: a curated exhibition by Dr Robert Bell from the Australian Decorative Arts and Design Collection, 13 November 2015 – 12 August 2016.
2012 Archive Place (Twilight), Hope Gallery, University of Wollongong, AU, 3–10 September 2012.
Australia Council London Studio (Visual Arts Board), 2009-2010
COLLECTIONS: National Gallery of Australia; University of New South Wales Art Collection (commission); Newcastle Region Art Gallery NSW; Campbelltown Art Centre NSW; National Art School Sydney; Wollongong University Art Collection; private collections USA, UK, Hong Kong, Singapore, Australia.