In the Illawarra, Gula becomes Kurrilwa on the easterly journey from the Gundungurra plateau and escarpment Country to the Dharawal coastal plain language of Wodi Wodi voices, but Koala is the same animal, character, agent, and traditional story-maker. The one who paddled a canoe to the entrance of Lake Illawarra where it was holed by Brolga, a dancing companion. The canoe overturned to become Windang Island, the isle still there at the entrance. In another traditional Illawarra story, Brolga dances on the Whale’s canoe until a hole is made, and the canoe is pushed a short distance to shore to become Gun-man-gang, the modern Windang Island. This is the richness of emplaced Koori story-making: many ways emerge across Country to tie people, place, animals, plants, waters, skies and events into living biogeocultural maps unbound, earth-walked, sounded and internalised— a fundamentally different approach to a western heritage of 2D cartographic representation and 3D topographic modelling. Or is it? Can these ways and perspectives fruitfully meet?
Full article … ☛ https://www.uowblogs.com/c3p/category/meco360/page/2/
On: Thinking Landscape: Data, geography, arts, writing, patterns, collecting and interdisciplinarity (University of Wollongong, September 2016).