LOUISE BOSCACCI …roll call↩︎

  • About What is Given
  • Image Archive
    • In the Riverbowl, 2013
    • Shaw Street Seven, 2012
    • Spinoza was a lens maker (2015)
    • ‘Cicada Waterfall’ 2012- 2014 – Cummings & Boscacci
    • Three Hemispheres, 2011
    • Cumulus 2009
    • Beaker Culture 2009
    • Eleven fingers 2009
      • Lacrimae five 2010
    • Solace Works 2008 – ‘solastalgia is a new word, I hear’
    • Chemistry Set 2003
    • Paper clay experimanifest 1995–6
  • Selected Words
    • After-Affect Skin Songs 2014
    • Pulse_Pause: : Exploring Eco-ethical Aesthetics in the Shadow Places (2013)
    • Beaker
    • Hold, Trace, Listen (2008)
    • It’s not on any map; true places never are (1999)
    • New Empiricists 2010
    • The Other Side of The Line (2001)
    • Groundtruthing Project (2003)
    • The Art of Bell Ringing (2007)
    • Cicada Waterfall: a still moving collaboration … (2014)
    • Porcelain for the fleeting moment 2006
    • Ecological Research (Selected)
  • Soundings
  • Contact
  • Archive: Groundtruthing Projects
  • farmbodies
  • Interconnexion
    • People, people: wondrous workings

Category: More-than-human cultural relations

affective encounters anthropocene-in-the-making Fire on Earth Interdisciplinarity More-than-human cultural relations

Anagram a firing

Posted on August 18, 2019 by Louise Boscacci: The Blue Chamber
Reading time 3 minutes
affective encounters anthropocene-in-the-making Art of Wit(h)nessing Country Interdisciplinarity More-than-human cultural relations naturecultures Particular-Planetary Aesthetics Shadow Places in concept and an ecology of practice

‘Encounters with and within the Anthropocene: Speculating on Particular-Planetary Aesthetics’—AAANZ 2019

Posted on July 4, 2019 by Louise Boscacci: The Blue Chamber
Reading time 5 minutes
affect anthropocene-in-the-making Australian mammal extinctions bioflux More-than-human cultural relations Shadow Places in concept and an ecology of practice Vibrant Matter

Hard Data, Soft Data (2019)

Posted on April 4, 2019 by Louise Boscacci: The Blue Chamber
Reading time less than 1 minute
Aesthetic atmospheres affect Anthropocene Atmospheres Interdisciplinarity More-than-human cultural relations Shadow Places in concept and an ecology of practice

Recall: ‘Ways to Cross Country’ (2016)

Posted on March 11, 2019 by Louise Boscacci: The Blue Chamber
Reading time 2 minutes
Anthropocene co-species extinctions More-than-human cultural relations Shadow Places in concept and an ecology of practice

More-than-human Social Relations in the Anthropocene – AAANZ 2018

Posted on October 21, 2018 by Louise Boscacci: The Blue Chamber
Reading time 6 minutes
affective encounters Australian mammal extinctions Country More-than-human cultural relations naturecultures Wit(h)nessing

Wit(h)nessing: Desert Mammal Extinctions to Illawarra Micro-Ecologies and more

Posted on December 15, 2017 by Louise Boscacci: The Blue Chamber
Reading time 2 minutes
My Tweets

Tags

affect Affective attunement affective emplacement affective encounters affective objects affective trace Affect theory After-Affect Skin Songs Anthropocene Archive place (Twilight) Archive Place (Twilight) 2012 Australian mammal species loss bodies clay Contemporary Australian porcelain Country eco-affective trace Ecoarts 2013 ecology and affect extinction Field sounding Light Localised Anthropocene Maralinga MECO research network naturecultures new materialism Nullarbor objects of affect peat political ecologies porcelain Louise Boscacci Postcards pulse_pause Shadow Places shadows trace Shadow Toponymy Solar LED Sound sounding The Round Table Postcard Archive The Round Table Postcard Project Twilght twilight Val Plumwood and the concept of Shadow Places water objects Wingecarribee Wit(h)nessing WomSAT writing
Follow LOUISE BOSCACCI …roll call↩︎ on WordPress.com

Create a website or blog at WordPress.com