LOUISE BOSCACCI …roll call↩︎ postings: blog stream

  • About What is Given
  • Image Archive
    • In the Riverbowl, 2013
    • Shaw Street Seven, 2012
    • Spinoza was a lens maker (2015)
    • ‘Cicada Waterfall’ 2012- 2014 – Cummings & Boscacci
    • Lacrimae five
    • Three Hemispheres
    • Cumulus 2009
    • Beaker Culture 2009
    • Eleven fingers 2009
    • Solace Works 2008 – ‘solastalgia is a new word, I hear’
    • Chemistry Set 2003
    • Paper clay experimanifest 1995–6
  • Selected Words
    • After-Affect Skin Songs 2014
    • Pulse_Pause: : Exploring Eco-ethical Aesthetics in the Shadow Places (2013)
    • Beaker
    • Hold, Trace, Listen (2008)
    • It’s not on any map; true places never are (1999)
    • New Empiricists 2010
    • The Other Side of The Line (2001)
    • Groundtruthing Project (2003)
    • The Art of Bell Ringing (2007)
    • Cicada Waterfall: a still moving collaboration … (2014)
    • Porcelain for the fleeting moment 2006
    • Ecological Research (Selected)
  • Soundings
  • Contact
  • Archive: Groundtruthing Projects
  • farmbodies
  • Interconnexion
    • People, people: wondrous workings

Category: affective encounters

Aesthetics of Wit(h)nessing affective encounters Art of Wit(h)nessing Material Ecologies to Political Ecologies More-than-human cultural relations Particular-Planetary Aesthetics

MECO360: Material Ecologies Research Network

Posted on October 23, 2022 by Louise Boscacci: The Blue Chamber
Reading time less than 1 minute
Aesthetics of Wit(h)nessing affective encounters naturecultures Particular-Planetary Aesthetics

water fire

Posted on December 26, 2021 by Louise Boscacci: The Blue Chamber
Reading time 1 minute
Aesthetics of Wit(h)nessing affective encounters Art of Wit(h)nessing

breath(e)

Posted on July 16, 2020 by Louise Boscacci: The Blue Chamber
Reading time less than 1 minute
Aesthetics of Wit(h)nessing affective encounters anthropocene-in-the-making Country Material Ecologies to Political Ecologies More-than-human Wit(h)nessing Particular-Planetary Aesthetics Shadow Places in concept and an ecology of practice Wit(h)nessing

Affective Encounters, Shadow Traces, and Resonant Naturecultures in the Anthropocene

Posted on November 9, 2019 by Louise Boscacci: The Blue Chamber
Reading time 3 minutes
affective encounters anthropocene-in-the-making Fire on Earth Interdisciplinarity More-than-human cultural relations

Anagram a firing

Posted on August 18, 2019 by Louise Boscacci: The Blue Chamber
Reading time 3 minutes
affective encounters anthropocene-in-the-making Art of Wit(h)nessing Country Interdisciplinarity More-than-human cultural relations naturecultures Particular-Planetary Aesthetics Shadow Places in concept and an ecology of practice

‘Encounters with and within the Anthropocene: Speculating on Particular-Planetary Aesthetics’—AAANZ 2019

Posted on July 4, 2019 by Louise Boscacci: The Blue Chamber
Reading time 5 minutes
affective encounters Australian mammal extinctions Country More-than-human cultural relations naturecultures Wit(h)nessing

Wit(h)nessing: Desert Mammal Extinctions to Illawarra Micro-Ecologies and more

Posted on December 15, 2017 by Louise Boscacci: The Blue Chamber
Reading time 2 minutes
My Tweets

Tags

affect Affective attunement affective emplacement affective encounters affective objects affective trace Affect theory After-Affect Skin Songs Anthropocene Archive place (Twilight) Archive Place (Twilight) 2012 Australian mammal species loss bodies Bundanon Trust clay Contemporary Australian porcelain Country eco-affective trace Ecoarts 2013 ecology and affect extinction Field sounding Light Localised Anthropocene Maralinga MECO research network naturecultures new materialism Nullarbor peat political ecologies porcelain Louise Boscacci Postcards pulse_pause Shadow Places shadows trace Shadow Toponymy Solar LED Sound sounding The Round Table Postcard Archive The Round Table Postcard Project Twilght twilight Val Plumwood and the concept of Shadow Places water objects Wingecarribee Wit(h)nessing WomSAT writing
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